And under those conditions, monetary policy proved just as ineffective as Keynes had said it was in the 1930s. The Bank of Japan, Japan’s equivalent of the Fed, could and did increase the monetary base. But the extra yen were hoarded, not spent. The only consumer durable goods selling well, some Japanese economists told me at the time, were safes. In fact, the Bank of Japan found itself unable even to increase the money supply as much as it wanted. It pushed vast quantities of cash into circulation, but broader measures of the money supply grew very little. An economic recovery finally began a couple of years ago, driven by a revival of business investment to take advantage of new technological opportunities. But monetary policy never was able to get any traction.

In effect, Japan in the Nineties offered a fresh opportunity to test the views of Friedman and Keynes regarding the effectiveness of monetary policy in depression conditions. And the results clearly supported Keynes’s pessimism rather than Friedman’s optimism.

John Woo, Kevin Smith, and Wes Anderson.  Hilarious

Hollywood Director Attack Ads (via TheLandline)

The consensual form of politics in our time is a bi-polar system that offers the appearance of a choice where essentially there is none, since today poles converge on a single economic stance—the ‘tight fiscal policy’ that Clinton and Blair declare to be the key tenet of the modern Left, that sustains economic growth, that allows us to improve social security, education and health. In this uniform spectrum, political differences are more and more reduced to merely cultural attitudes: multicultural/sexual (etc.) ‘openness’ versus traditional/natural (etc.) ‘family values’. This choice—between Social Democrat or Christian Democrat in Germany, Democrat or Republican in the States—recalls nothing so much as the predicament of someone who wants an artifi cial sweetener in an American cafeteria, where the omnipresent alternatives are Nutra-Sweet Equal and High&Low, small bags of red and blue, and most consumers have a habitual preference (avoid the red ones, they contain cancerous substances, or vice versa) whose ridiculous persistence merely highlights the meaninglessness of the options themselves.

You’re asking yourself, how do I make the Dr Who Theme song even cooler?  And the answer is, play the melody using two computer controlled tesla coils.

ArcAttack Tesla Coils Dragon*Con 2008 Part 2

The Archive on Vimeo (via Vimeo)

I’d only heard the version from The Mix before… this is actually sort of emotional.  Weird.

Kraftwerk - Radioactivity (via zabaru)

Tears For Fears - Mad World: Stereo Video (via universalmusicgroup)
Milton Friedman - Greed (via mearbhrach)
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P1010877

Doctor Who: What are you doing here? (via NoDaylight)